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Baby Needs Bach
Composers: Johann Sebastian Bach
Directors: Constantine Orbelian
Performers: Allan Vogel, Anthony Newman, Carol Rosenberger, Eugenia Zukerman, Los Angeles Guitar Quartet, Mark Chatfield, Moscow Chamber Orchestra, Patricia Mabee, Paul Galbraith, Shanghai String Quartet, Tatiana Zavarskaya
Johann Sebastian Bach (1685-1750)
Constantine Orbelian, conductor
Moscow Chamber Orchestra
Carol Rosenberger, piano
Los Angeles Guitar Quartet
Tatiana Zavarskaya, cello
Paul Galbraith, 8-string guitar
Allan Vogel, oboe
Patricia Mabee, harpsichord
Mark Chatfield, viola de gamba
Eugenia Zukerman, flute
Shanghai String Quartet
Anthony Newman, harpsichord
If you are looking for a way to enrich a child's early experiences, you could not do better than the music of Johann Sebastian Bach. Bach's music is rich in qualities we have valued through the ages - faith, hope and love for one's fellow man. These often-elusive qualities pervade Bach's beautiful, reassuring melodies, providing comfort to young and old.
Bach's incomparable music was created by an intelligence second to none and equaled by very few. In a simple Prelude or Minuet - such as this devoted family man wrote for his children - he sets forth the beauty of logic and order on many levels.
But Bach's intelligence was matched by a touching personal humility, leaving his genius open to the highest inspiration. The personal, spiritual message shining through every phrase of his music can be absorbed by the very youngest of us and treasured throughout a lifetime.
| Track Listing | Time | MP3 | |
|---|---|---|---|
| 1 | Sheep May Safely Graze, from Santat No. 208 arr L. Stokowski | 4:47 | |
| 2 | Minuet in G, BWV Anh. 114, from the Anna Magdalena Bach Notebook | 1:31 | |
| 3 | Minuet in G, BWV Anh. 116, from the Anna Magdalena Bach Notebook | 1:49 | |
| 4 | Prelude No. 1 from The Well-Tempered Clavier | 1:56 | |
| 5 | Air on the G Strings, from Suite No. 3 in D for Orchestra, BWV 1068, arr L. Schmutzler | 4:56 |  |
| 6 | Prelude - from Suite No. 1 for Unaccompanied Cello, BWV 1007 | 2:54 | |
| 7 | Gavotte from French Suite No. 5, BWV 816, arr. L. Schmutzler | 1:18 | |
| 8 | Menuet from French Suite No. 6, BWV 817, arr. L. Schmutzler | 1:14 | |
| 9 | Andante - from Conmcerto No. 5 for Keyboard and Orchestra, BWV 1056, arr. P. Galbraith | 2:34 | |
| 10 | Gavotte en Rondeau - from Partita no. 3 for violin, BWV 1006, arr. P. Galbraith | 2:42 | |
| 11 | Sarabande from French Suite No. 6, BWV 817 | 3:36 | |
| 12 | Gavotte from French Suite No. 6, BWV 817 | 1:21 | |
| 13 | Prelude No. 24 from The Well-Tempered Clavier | 4:42 | |
| 14 | Jesu, Joy of Man's Desiring from Cantata No 147, arr. W. Ryden | 3:18 | |
| 15 | Bourrees I and II from Suite No. 3 for Unaccompanied Cello, BWV 1009 | 3:56 | |
| 16 | Concerot for 2 Violins and Orchestra, BWV 1043, Largo ma non tanto | 7:18 | |
| 17 | Siciliano from Sontat in G Minor, BWV 1030b | 3:50 | |
| 18 | Menuets I and II from Partita no. for Keyboard, BWV 825 | 3:11 | |
| 19 | Rondeau from Ouveture in B Minor, BWV 1067 | 1:40 | |
| 20 | Siciliano from Sonata No. 4 for Keyboard and violin, BWV 1017, arr. L Stokowski | 3:03 | |
| 21 | Andante from Sonata No. 2 for Violin, BWV 1003, arr P. Galbraith | 6:16 |